Alessandro Canini was born in the city of the saint in the Millenovecentoseventy, his artistic training goes back to elementary schools where with the support of Maestro Francesco Bonanno participates with excellent results in pictorial competitions, his continuation is distracted between The State Institute of Art Pietro Selvatico, the same school that saw his parents, and the Academy of Fine Arts of Venice, where he balzellava between one class of painting and the other, since the painting C was close to him, as the color of the black walls desired by Its founder Emilio Ved
ova. A few pauses with peaks of light have seen the continuation of the artistic evolution of the above, articulating between the various disciplines learned and others of new nature, convinced that art does not have a unique name and expands through all the Senses, and from these must be lived to enrich the soul and the person itse
lf. He returns with arrogance to express himself at all levels in 2010 after a very profound and devastating inner revolution.

In 2011 he makes a series of pictorial performances in amalgamating with different artists, from musicians, photographers, dancers. It exhibits in the context of the 54 edition of the Venice Biennale, in the section "Art is Cosa Nostra" curated by Vittorio Sgarbi of Milan and Turin.
In 2012 he continues the experience with pictorial performances in relation to the music by exposing in various rooms of the Palabhavi and is chosen as artistic director of one of the premises with more than 70 sqm of personal exhibit
ion. From 2013 he collaborates with the movement of common sense with the intent to bring life and culture between the squares patavine, as itinerant painter in the project "Faces of Padua", with exhibition of all the works done, in the octagonal room of Pedrocchi, and as a photographer Carrying artistic works depicting the performances of the gestural Dance Company of which he is the only photographer of the last
four years. In 2014 he exhibited in Vicenza the works The Black Angels in a former church of ' 400, continues his performances called by D'instinarte to portray the soul of models for the premises of the ghetto of Padua and the Cerebration 5 event at
the Park Fistomba. It exhibits in Venice at the restaurant F10 In th
e review Cabaret Voltaire. In 2015 presents a personal on the Bambinointerioreon at Dogolab in Padua, and continues with the balloons suspende
d at the Interno12 of Padua. It exhibits in May 2015, the child Interioreon in the space of the bank Saint Paul "Superflash" in Piazza Cavour Padova, the same works are filmed by local TV during a presentation on
autism. At the Cerebration Fest 6 presents a new vision of art with the installation "essence" twelve canvases modular by the observer according to taste and emo
tion. He performs inside 12 in a pictorial performance with jazz musician Piero Bittolo Bon (website), combining music with the theme of the Essence: Amore is (dedication N.S.C.). He
exhibited in June 2015 in Venice during the night of art in the context of the Marxian microcosm.

In September he curated the exhibition of six artists in the cultural container "interno12", creating a path, an artistic act whose voice is "12 red threads", involving audiences and authors on the value of communication and connections.

On 10 October 2015 he performed in a pictorial performance with his colleague Alberto Milan and the musicians Luca Ferraris and Renato Elia, on the theme love and Psyche, amalgamating music and painting and exchanging the canvas with Alberto in a succession of emotions and pictorial techniques.

In 2016 is Co.-author of one of the most innovative exhibitions co. le. Ttive-R-Evolution in action, where the artistic process comes with. Di. Face with the user and the act becomes a unicum in progress.

2017 is the year in which he resumes to teach Goldware.

2018 holds training courses in companies such as Archimede Srl and orskulls of advertising graphics and Web Marketing.

End 2018 is assumed as a graphic designer of the municipality of Padua, Culture, tourism, museums and libraries.

From here the path is just drawn between the empty folds of white scor
es. The biographies of artists are always so mellow of technical details that often do not even read them, so if you came to this point of the section is proud of yourself, because you are already over the mass.