Alessandro Canini was born in the city of Santo in the hundred and seventy, his artistic training goes back to elementary schools where with the support of his master, Francesco Bonanno, participates in pictorial competitions, he enrolls in the section Art of Metals and of goldsmiths at the State Institute of Art Pietro Selvatico, the same school that made his parents fall in love, continues his studies in painting at the Academy of Fine Arts of Venice in the section of painting C foun
ded by Emilio Vedova.La need to have a work leads him after the civil service to specialize in graphics attending software courses and tools related to editorial, web and 3D gra
phics. After the work settlement, he returned to express himself at all artistic levels in 2010 involved by a very deep and incisive inner revolution.

In 2011 he made a series of pictorial performances in amalgamation with other arts and various collaborations with different artists, from musicians, photographers, dancers. In the context of the 54th edition of the Venice Biennale, in the section "Art is Cosa Nostra" curated by Vittorio Sgarbi, he exhibits in Milan and Turin
.In 2012 he continues the experience with pictorial performances in relation to music by exhibiting in different clubs of the chosen as artistic director of one of the premises with over 70 square meters of personal exhibition. Since 2
013 he has collaborated with the movement of common sense with the intention of bringing back life and culture among the square, as a traveling painter in the project "Faces of Padua", with exhibition of all the works made, in the octagonal room of Pedrocchi, and as a photographer bringing artistic works depicting the performances of the company Gestual Dance of which he is the only photographer sinc
e 2011.In 2014 he exhibits in Vicenza the works of the Black Angels in a former church of the '400, continues his performances called by d'instinctiveArte to portray the soul of models for the premises of the ghetto of Padua and at the event Cerebrati
on 5 at the Park Fistomba.Exposing in Venice to the restaurant F10 in
the Cabaret Voltaire festival.In 2015 presents a personal on the childinterioreON at the dogoLab in Padua, and continues with the balloons sus
pended at the Interior12 of Padua.Exposing in May 2015 , the childinterioreON in the space of the Bank Sao Paulo "Superflash" in Piazza Cavour Padua, the same works are filmed by local TV during a presentation on au
tism. At CeREbration Fest 6 presents a new vision of art with the installation "Essence" twelve canvases composed by the observer according to taste and emotion.
He performs inside 12 in a pictorial performance with the jazz player Piero Bittolo Bon (website), combining the music with the color of the theme Essence: love is (dedica N.S.C.). He
exhibited in June 2015 in Venice during the night of art in the context of the Marxian Microcosm.

In September he curates the exhibition of six artists in the cultural container "internal12", creating a path, an artistic act whose voice is "12 red threads", involving audiences and authors on the value of communication and connections.

On October 10, 2015 he performed a pictorial performance with his colleague Alberto Milan and the musicians Luca Ferraris and Renato Elia, on the theme Love and Psyche, mixing music and painting and exchanging the canvas with Alberto in a succession of emotions and pictorial techniques.

In 2016 he is co.-author of one of the most innovative exhibitions co.le.ttive – r-evolution in action, where the artistic process comes with.di.face with the user and the act becomes a unicum in progress.

2017 is the year in which he resumes teaching goldsmiths.

2018 holds training courses in companies such as Archimede Srl and orskulls of advertising graphics and Web Marketing.

End 2018 is assumed as a graphic designer of the municipality of Padua, Culture, tourism, museums and libraries.

From here the path is just drawn between the empty folds of white scor
es. The biographies of artists are always so mellow of technical details that often do not even read them, so if you came to this point of the section is proud of yourself, because you are already over the mass.